{
  "id": "kiln-clay-journal",
  "name": "Firing Journal",
  "theme": "kiln-clay",
  "category": "Editorial",
  "description": "A long entry about one kiln load, written like a workshop notebook, with the temperature log running down the margin as a mono column.",
  "layout": "A 64ch text column set left of centre with a 150px mono margin column on its left holding the firing log, so the numbers read as marginalia rather than as a figure.",
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      "html": "\n<header class=\"hd\"><span class=\"k\">Journal · Firing 214</span><h1>The one where the plum went almost black</h1><span class=\"by\">Yumi Sandoval-Reyes · 28 August 2026</span></header>"
    },
    {
      "key": "log",
      "name": "Firing log",
      "html": "\n<aside class=\"lg\"><span class=\"k\">Log</span>\n<ol>\n  <li><b>06:00</b><span>Candle, 80°C</span></li>\n  <li><b>09:20</b><span>Body reduction</span></li>\n  <li><b>11:45</b><span>1010°C</span></li>\n  <li><b>13:10</b><span>Heavy reduction</span></li>\n  <li><b>15:32</b><span>Cone 10 down</span></li>\n  <li><b>15:40</b><span>Soak, 20 min</span></li>\n  <li><b>16:00</b><span>Off</span></li>\n  <li><b>+38 h</b><span>Opened, 84°C</span></li>\n</ol></aside>"
    },
    {
      "key": "body",
      "name": "Entry body",
      "html": "\n<article class=\"bd\">\n<p class=\"lede\">We ran this one two cones harder than we meant to, and the plum glaze went somewhere it has never been before.</p>\n<p>The intention was a normal cone 10 reduction, the same schedule we have used since the new elements went in. What happened instead is that the heavy reduction ran nearly ninety minutes rather than sixty, because the damper was set from the previous firing and nobody checked it.</p>\n<p>The plum is a copper red at heart, so a long reduction pushes it darker and, past a point, almost to black where it pools. On the wide bowls, where the glaze is thickest in the well, it did exactly that — a black centre grading out to the usual plum on the walls and breaking umber over the throwing rings.</p>\n<p>Four of the eleven pieces are the best things to come out of this kiln all year. Three are unusable. We are keeping the schedule.</p>\n</article>"
    },
    {
      "key": "plate",
      "name": "Result plate",
      "html": "\n<figure class=\"pl\"><img src=\"{{ART glaze}}\" alt=\"{{ARTALT glaze}}\"><figcaption>Bowl 4 of 11. The black is 40mm across and stops where the glaze thins.</figcaption></figure>"
    }
  ],
  "moduleCount": 4,
  "reorderable": false,
  "meta": {
    "id": "kiln-clay-journal",
    "model": "Claude Opus 5",
    "author": "Claude Code",
    "createdAt": "2026-09-01T19:50:29+09:00",
    "updatedAt": "2026-09-01T19:50:29+09:00",
    "version": "1.0.0",
    "isNew": false
  },
  "link": "/api/v1/designs/kiln-clay-journal.json",
  "structure": "A 64ch text column set left of centre with a 150px mono margin column on its left holding the firing log, so the numbers read as marginalia rather than as a figure.",
  "html": "<div class=\"dz dz-kiln-clay-journal\" data-design=\"kiln-clay-journal\" data-theme=\"kiln-clay\">\n<section class=\"dz-mod\" data-mod=\"head\" aria-label=\"Entry header\">\n<header class=\"hd\"><span class=\"k\">Journal · Firing 214</span><h1>The one where the plum went almost black</h1><span class=\"by\">Yumi Sandoval-Reyes · 28 August 2026</span></header></section><section class=\"dz-mod\" data-mod=\"log\" aria-label=\"Firing log\">\n<aside class=\"lg\"><span class=\"k\">Log</span>\n<ol>\n  <li><b>06:00</b><span>Candle, 80°C</span></li>\n  <li><b>09:20</b><span>Body reduction</span></li>\n  <li><b>11:45</b><span>1010°C</span></li>\n  <li><b>13:10</b><span>Heavy reduction</span></li>\n  <li><b>15:32</b><span>Cone 10 down</span></li>\n  <li><b>15:40</b><span>Soak, 20 min</span></li>\n  <li><b>16:00</b><span>Off</span></li>\n  <li><b>+38 h</b><span>Opened, 84°C</span></li>\n</ol></aside></section><section class=\"dz-mod\" data-mod=\"body\" aria-label=\"Entry body\">\n<article class=\"bd\">\n<p class=\"lede\">We ran this one two cones harder than we meant to, and the plum glaze went somewhere it has never been before.</p>\n<p>The intention was a normal cone 10 reduction, the same schedule we have used since the new elements went in. What happened instead is that the heavy reduction ran nearly ninety minutes rather than sixty, because the damper was set from the previous firing and nobody checked it.</p>\n<p>The plum is a copper red at heart, so a long reduction pushes it darker and, past a point, almost to black where it pools. On the wide bowls, where the glaze is thickest in the well, it did exactly that — a black centre grading out to the usual plum on the walls and breaking umber over the throwing rings.</p>\n<p>Four of the eleven pieces are the best things to come out of this kiln all year. Three are unusable. We are keeping the schedule.</p>\n</article></section><section class=\"dz-mod\" data-mod=\"plate\" aria-label=\"Result plate\">\n<figure class=\"pl\"><img src=\"https://designlookbook.dev/assets/img/kiln-clay-glaze.webp\" alt=\"A plum glaze pooling in the base of a shallow bowl\"><figcaption>Bowl 4 of 11. The black is 40mm across and stops where the glaze thins.</figcaption></figure></section>\n</div>",
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