{
  "id": "kunsthalle-exhibition",
  "name": "Exhibition",
  "theme": "kunsthalle",
  "category": "Editorial",
  "description": "An exhibition page hung from the 96px line: one work per screen-height, each with its wall label below-left at sixty per cent, and a ragged right edge throughout.",
  "layout": "A single column hung at 96px with no grid of works; images keep their own proportions so rows are uneven, and captions sit below-left at 60% width.",
  "modules": [
    {
      "key": "title",
      "name": "Exhibition title",
      "html": "\n<header class=\"ex\"><span class=\"k\">14 March — 22 June</span><h1>The Room<br>Repainted<br>Forty Times</h1><p class=\"sub\">Six artists working with the surfaces of institutions. Curated by Nuala Rennick.</p></header>"
    },
    {
      "key": "w1",
      "name": "Work, tall",
      "html": "\n<figure class=\"wk\"><img src=\"{{ART sculpture}}\" alt=\"{{ARTALT sculpture}}\"><figcaption class=\"lb\"><div class=\"hd\"><span>Artist</span></div><p><b>Iona Marek</b><br>Undercoat (VI), 2025<br>Plaster, pigment, steel armature<br>Courtesy the artist and Slade Row</p></figcaption></figure>"
    },
    {
      "key": "w2",
      "name": "Work, wide",
      "html": "\n<figure class=\"wk\"><img src=\"{{ART room}}\" alt=\"{{ARTALT room}}\"><figcaption class=\"lb\"><div class=\"hd\"><span>Artist</span></div><p><b>Teodor Vance</b><br>Corridor with Bench, 2024<br>Single-channel video, 41 min, silent<br>Commissioned for this exhibition</p></figcaption></figure>"
    },
    {
      "key": "w3",
      "name": "Work, detail",
      "html": "\n<figure class=\"wk\"><img src=\"{{ART detail}}\" alt=\"{{ARTALT detail}}\"><figcaption class=\"lb\"><div class=\"hd\"><span>Artist</span></div><p><b>Iona Marek</b><br>Filled Hole (study), 2025<br>Emulsion and filler on board<br>Private collection, London</p></figcaption></figure>"
    }
  ],
  "moduleCount": 4,
  "reorderable": true,
  "meta": {
    "id": "kunsthalle-exhibition",
    "model": "Claude Opus 5",
    "author": "Claude Code",
    "createdAt": "2026-09-02T01:16:19+09:00",
    "updatedAt": "2026-09-02T01:16:19+09:00",
    "version": "1.0.0",
    "isNew": false
  },
  "link": "/api/v1/designs/kunsthalle-exhibition.json",
  "structure": "A single column hung at 96px with no grid of works; images keep their own proportions so rows are uneven, and captions sit below-left at 60% width.",
  "html": "<div class=\"dz dz-kunsthalle-exhibition\" data-design=\"kunsthalle-exhibition\" data-theme=\"kunsthalle\">\n<section class=\"dz-mod\" data-mod=\"title\" aria-label=\"Exhibition title\">\n<header class=\"ex\"><span class=\"k\">14 March — 22 June</span><h1>The Room<br>Repainted<br>Forty Times</h1><p class=\"sub\">Six artists working with the surfaces of institutions. Curated by Nuala Rennick.</p></header></section>\n<section class=\"dz-mod\" data-mod=\"w1\" aria-label=\"Work, tall\">\n<figure class=\"wk\"><img src=\"https://designlookbook.dev/assets/img/kunsthalle-sculpture.webp\" alt=\"An abstract plaster form on a plain plinth in a grey room\"><figcaption class=\"lb\"><div class=\"hd\"><span>Artist</span></div><p><b>Iona Marek</b><br>Undercoat (VI), 2025<br>Plaster, pigment, steel armature<br>Courtesy the artist and Slade Row</p></figcaption></figure></section>\n<section class=\"dz-mod\" data-mod=\"w2\" aria-label=\"Work, wide\">\n<figure class=\"wk\"><img src=\"https://designlookbook.dev/assets/img/kunsthalle-room.webp\" alt=\"A long gallery corridor with a bench and a doorway at the end\"><figcaption class=\"lb\"><div class=\"hd\"><span>Artist</span></div><p><b>Teodor Vance</b><br>Corridor with Bench, 2024<br>Single-channel video, 41 min, silent<br>Commissioned for this exhibition</p></figcaption></figure></section>\n<section class=\"dz-mod\" data-mod=\"w3\" aria-label=\"Work, detail\">\n<figure class=\"wk\"><img src=\"https://designlookbook.dev/assets/img/kunsthalle-detail.webp\" alt=\"Close-up of layered paint on a repainted gallery wall\"><figcaption class=\"lb\"><div class=\"hd\"><span>Artist</span></div><p><b>Iona Marek</b><br>Filled Hole (study), 2025<br>Emulsion and filler on board<br>Private collection, London</p></figcaption></figure></section>\n</div>",
  "css": "\n.dz-kunsthalle-exhibition { background: var(--background); color: var(--foreground); font-family: var(--pv-body); padding: 96px; }\n.dz-kunsthalle-exhibition .k { text-transform: uppercase; letter-spacing: .2em; font-size: 10px; font-weight: 600; color: var(--muted-foreground); }\n.dz-kunsthalle-exhibition .ex { margin-bottom: 96px; }\n.dz-kunsthalle-exhibition h1 { font-family: var(--pv-display); font-weight: 400; font-size: 64px; line-height: 1.06; letter-spacing: -.02em; margin: 14px 0 20px; }\n.dz-kunsthalle-exhibition .sub { font-size: 17px; font-weight: 300; line-height: 1.7; margin: 0; max-width: 60ch; color: var(--muted-foreground); }\n.dz-kunsthalle-exhibition .wk { margin: 0 0 96px; }\n.dz-kunsthalle-exhibition .wk img { display: block; max-width: 720px; width: 100%; height: auto; }\n\n.dz-kunsthalle-exhibition .lb { width: 60%; margin-top: 14px; }\n.dz-kunsthalle-exhibition .lb .hd { text-transform: uppercase; letter-spacing: .2em; font-size: 10px; font-weight: 600; color: var(--muted-foreground); border-bottom: 1px solid var(--border); padding-bottom: 5px; margin-bottom: 8px; }\n.dz-kunsthalle-exhibition .lb p { font-family: var(--pv-mono); font-size: 12px; letter-spacing: .02em; line-height: 1.5; margin: 0; color: var(--muted-foreground); }\n.dz-kunsthalle-exhibition .lb p b { color: var(--foreground); font-weight: 400; }\n@media (prefers-reduced-motion: reduce) { .dz-kunsthalle-exhibition *, .dz-kunsthalle-exhibition *::before, .dz-kunsthalle-exhibition *::after { transition-duration: 1ms !important; animation-duration: 1ms !important; } }\n",
  "requiredTheme": "/api/v1/themes/kunsthalle.json",
  "googleFontsHref": "https://fonts.googleapis.com/css2?family=Marcellus:wght@400;500;600;700&family=Albert+Sans:wght@400;500;600;700&family=Fragment+Mono:wght@400;500;600;700&display=swap"
}